启迪桑德特林·桑德加德|现在你是我的了

原标题：特林·桑德加德|现在你是我的了摄影作品选自《现在你是我的了》系列之一，特林·桑德加德摄编辑|柴柴特林·桑德加德（TrineSøndergaard，1972—），丹麦艺术摄影师，生活及工作于哥本哈根。作品《现在你是我的了》（NowThatYouAreMine）拍摄于1997至00年，记录了哥本哈根中央车站一带的女性性工作者。夏洛蒂·柯顿对此作品评价道：“影像里不见光鲜亮丽，尖锐展现了女子的现实处境。桑德加德拍摄计划全观且持平，并不特别强调性工作的情色时刻，而是不疾不徐地刻画性工作者的日常作息与生活环境......\"艺术摄影师简介：TrineSøndergaard(b.1972)isaDanishphotography-basedvisualartist.SøndergaardlivesandworksinCopenhagen,Denmark.TrineSøndergaard’sworkismarkedbyaprecisionandasensibilitythatco-existwithaninvestigationofthemediumofphotography,itsboundariesandwhatconstitutesanimage.Layeredwithmeaningandquietemotion,herworksarehighlyacclaimedfortheirvisualintensificationofourperceptionofreality.ShehasbeenawardedtheAlbertRenger-PatzschPrizeandhasreceivednumerousgrantsandfellowships,includingathree-yearworkinggrantfromtheDanishArtsFoundation.TrineSøndergaard’sworkhasbeenshowninsoloandgroupexhibitionsaroundtheworldandiswellrepresentedinmuseumcollections,forinstanceMuseumofFineArtsHouston-USA,MUSAC-Spain,GothenburgMuseumofArt-Sweden,TheNationalMuseumofNorway,TheIsraelMuseum,MaisonEuropéennedelaPhotographie-France,andAROS-Denmark.TrineSøndergaardhaspublishedbookswithSteidl,HatjeCantz,HasslaBooksandFabrikBooks.ShehasalsoexhibitedandpublishedextensivelyincollaborationwiththeDanishartistNicolaiHowalt.TrineSøndergaardisrepresentedbyMartinAsbækGallery,Copenhagen,andBruceSilversteinGallery,NewYork.作品简介：NowThatYouAreMineisaseriesofphotographstakenbetween1997-2000bytheDanishartistTrineSøndergaard,photographsofprostitutesonthestreetswheresheusedtoliveinthered-lightdistrictofCopenhagen.EthicalconsiderationshavealwaysbeenanintegralpartofSøndergaard’sdocumentaryworks:worksinwhichtheinvestigationoftheexchangeofhumancontact–alsobetweenthephotographerandphotographed–mergeswiththeartisticdrivetotransgresstheboundariesoftheprivatesphere.Bychoosingtoworkwithaconspicuousflashandincolourinthelate’90s,Søndergaardshatteredthetraditionalnarrativecodesofdocumentaryphotographyinaconsciouschallengetoaestheticisedanddistancedblackandwhite‘reality’.Søndergaardgoesbeyondthewallsoftheprivatesphere,followingthewomenandthe‘flyonthewall’.Releasedfromtheseconventions,Søndergaard’sworkembodiesandexploresthedualitiesofherownroleasanartist,butalsoasawoman.Theartistwaspersonallyanddailysubjectedtoharassmentbymalecustomersonthestreetwhereshelived.Herownsubjectiontothismalegazemarkedthebeginningoftheproject.Sherealisedthatshewasnot“seen”.Thatsheexistedonlyasaprojectedfantasyofawomanforthemalecustomer.Itisthisfantasyherworkruthlesslyexposes,asexualfantasyinharshcontrasttotherealityofinfectedneedlesoresandbruisedskin.Duringthedevelopmentoftheprojectanartisticexplorationandexperimentationemerged.Someoftheimagesareingaudy,brightcolours,othersinmuted,paletones.Lateintheprojectsheofteneliminatedthewomenwhowereheroriginalsubjectfromthefinalwork,choosingacompellingminimalismfocussingondetailsnotimmediatelyassociatedwiththeharshrealitiesandtiredstereotypesofprostitution.Thisistheartist’srepresentationofarealitytemporarilyshared–butassheconsciouslyandvisuallyacknowledges–neverlived.AcentralacknowledgementinSøndergaard’suniquelyrespectfulandmovingportrayaloflifeonthestreetsandbehindcloseddoors.TheseriesgaveTrineSøndergaardherinternationalbreakthrough,andtodaysheisanindisputablycentralfigureinanewgenerationofartphotographers.In2000shewontheprestigiousGermanAlbertRenger-PatzschAwarddedicatedtopublishingmonographsthatdojusticetothevisualambitionandqualityoftheworkofoutstandingphotographers.ThemonographNOWTHATYOUAREMINEwaspublishedbySteidlin2002.-FinnThrane,MuseetforFotokunst,Denmark责任编辑：

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