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南张北齐【精品推荐】“南张北齐”之-齐白石

长河网 • 2019-01-22 23:27:55 • 文化 • 阅读 11
齐白石画虾可说是画坛一绝，灵动活泼，栩栩如生，神韵充盈，用淡墨掷笔，绘成躯体，浸润之色，更显虾体晶莹剔透之感。懂得笔墨也善于操纵笔墨的齐白石，他在下笔画虾时，既能巧妙地利用墨色和笔痕表现虾的结构和质感，又以富有金石味的笔法描绘虾须和长臂钳，
原标题：【精品推荐】“南张北齐”之-齐白石齐白石画虾可说是画坛一绝，灵动活泼，栩栩如生，神韵充盈，用淡墨掷笔，绘成躯体，浸润之色，更显虾体晶莹剔透之感。懂得笔墨也善于操纵笔墨的齐白石，他在下笔画虾时，既能巧妙地利用墨色和笔痕表现虾的结构和质感，又以富有金石味的笔法描绘虾须和长臂钳，使纯墨色的结构里也有着丰富的意味，有着高妙的技巧。以浓墨竖点为睛，横写为脑，落墨成金，笔笔传神。细笔写须、爪、大螯，刚柔并济、凝练传神，显示了画家高妙的书法功力。QiBaishishrimppaintingcanbesaidtobeaunique,lively,lifelike,fullofcharm,withlightinkthrowingpen,paintedintothebody,thecolorofinfiltration,butalsoshowtheshrimpbodycrystalclearfeeling.QiBaishi,whoknowshowtomanipulatehispenandink,canskillfullyuseinkandbrushmarkstoexpressthestructureandtextureoftheshrimp,anddepicttheshrimpwhiskersandlongarmpliersinagoldenandstonestyle,sothatthepureinkstructurealsohasrichmeaningandexquisiteskills.Withthickinkverticalpointastheeye,horizontalwritingasthebrain,inkintogold,Bibivivid.Finepenswritewhiskers,claws,bigclaws,rigidandflexible,conciseandvivid,showingtheartist\'swonderfulcalligraphyskills.一、从墨法上看，用淡墨画虾体，用浓墨点睛，把墨、水与宣纸结合的气韵效果把握得很好，使虾看起来通体透明，形象生动。墨色的深浅浓淡，表现出一种动感。一对浓墨眼睛，脑袋中间用一点焦墨，增加了虾头的重量感，在左右点上几笔淡淡的墨，虾的头部在晶莹剔透中有显得变化多端。虾的腰部再用淡墨点出，与头部重墨形成明显的对比，把透明的、游动的、活生生的虾形象表现的淋漓尽致。形神与笔墨的完美结合，可以说前无古人，开拓了中国意笔写实型水墨用法，对中国一大批水墨写实画家有着巨大影响。1.Lookingfromtheinkmethod,theshrimpbodyispaintedwithlightink,andtheeyeisdottedwiththickink.Theeffectofthecombinationofink,waterandricepaperisgraspedverywell,sothattheshrimplookstransparentandvivid.Thedepthandshadeofinkcolorshowasenseofmotion.Apairofthickblackeyes,withalittleburntinkinthemiddleofthehead,increasedtheweightofshrimphead,afewlightinkontheleftandright,shrimpheadinthecrystalclearinavarietyof.Theshrimp\'swaististhendottedoutwithlightink,incontrasttotheheavyinkonthehead.Thetransparent,swimmingandlivingshrimpimageisvividlydisplayed.Theperfectcombinationofformandspiritwithbrushandinkcanbesaidtobeunprecedented,whichhasopeneduptheuseofChinesefreehandbrushrealisticink,andhasagreatimpactonalargenumberofChineseinkpainters.二、从虾的形态上说，齐白石画虾，多为“长臂虾”，晚年的齐白石画虾以“白虾”为模特，追求形神兼备，《虾戏》中8只虾形态各异，有的嬉戏打闹，有的左顾右盼，有的交头接耳。中间几只虾看似拥挤，实则繁而不乱，细细观察每只虾都清晰可辨，画的惟妙惟肖。虾是一种群居动物，最喜欢的就是在一块打闹，这幅画中的虾正是他们相互嬉戏时场景的在现，无怪此幅画称之《虾戏》。画作为人内心世界的反应，关于白石老人，我们从这幅画中也可追寻。虾极具有观赏性，需要很高文化素养的人才能欣赏到它的美，白石老人具有很高的文化修养。虾好动，充满活力，从中我们可以看到一个乐观、自足、充满活力和情趣的老人形象。2.Fromtheshapeofshrimp,Qibaishipaintedshrimpismostly\"long-armshrimp\".Inhislateryears,Qibaishipaintedshrimptakes\"whiteshrimp\"asamodel,pursuingbothformandspirit.Eightshrimpsin\"shrimpplay\"havedifferentshapes,someplayandfight,somelookleftandright,andsometurntoeachother.Afewshrimpsinthemiddleseemedcrowded,butinfact,theywerecomplicatedandundisturbed.Eachshrimpwasclearlydistinguishedandvividlypaintedbycarefulobservation.Shrimpisakindofsocialanimals,thefavoritethingistofighttogether,thispictureofshrimpisthescenewhentheyplaywitheachother,nowonderthispaintingcalled\"shrimpplay\".Asaresponsetohumaninnerworld,paintingcanalsobetracedtotheoldBaiShi.Shrimpisveryornamental,itneedsahighlevelofculturalliteracyinordertoappreciateitsbeauty,whitestoneelderlypeoplehaveahighlevelofculturalaccomplishment.Theshrimpisactiveandenergetic,fromwhichwecanseeanoptimistic,self-sufficient,energeticandinterestingoldmanimage三、从作者用笔的变化看，简单几笔淡墨侧锋用笔，使虾的腰部呈现各种异态，有躬腰向前的，有直腰游荡的，也有弯腰爬行的，增添了虾的透明度和动态感，让人觉得它富有弹性和生命气息。虾的尾部也是通过寥寥几笔淡墨，使虾表现的既有弹力，又有透明感。虾的一对前爪，由细而粗，数节之间直到两螯，形似钳子，有开有合，用圆润而有力度的淡淡的笔墨使虾显得更有活力。虾的触须用数条淡墨线画出。此外，为表现出那种透视感，用虚实结合，简略得宜，似柔实刚，似断实连，直中有曲，乱小有序的线条，使纸上之虾看似在水中嬉戏游动，触须也像似动非动，力求深入表现它们的形神特征。3.Lookingfromthechangeoftheauthor\'spen,afewsimplestrokeswithlightinkmaketheshrimp\'swaistpresentvariousabnormalities,includingbendingforward,straighteningaround,andalsobendingandcrawling,whichincreasethetransparencyanddynamicfeelingoftheshrimpandmakepeoplefeelthatitisfullofflexibilityandlifeflavor.Thetailofshrimpalsousesafewlightinktomakeshrimpbehavebothelasticandtransparent.Apairofforepawsofshrimp,fromthinandthick,betweenseveralknotsuntilthetwocheeks,shapedlikepliers,openandclosed,witharoundandpowerfullightpeninktomaketheshrimpappearmoredynamic.Thetentaclesofshrimparedrawnwithafewpaleinklines.Inaddition,inordertoshowthatperspective,withthecombinationofvirtualandreal,simpleandappropriate,likesoftandrigid,likebrokenandsolid,straightintune,disorderlysmallandorderlylines,sothattheshrimponpaperseemstoplayinthewater,tentaclesalsolikemotionless,andstrivetoexpresstheirphysicalandspiritualcharacteristics.责任编辑：

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长河网 南张北齐【精品推荐】“南张北齐”之-齐白石

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